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MARTIN REV

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About Martin Rev:
NYC's Martin Rev is a one of music's most influential and creative. His
mainstream profile has remained somewhat opaque due to his focus on
creativity and art as opposed to commercial viability. Nevertheless,
as the lone instrumentalist in the legendary duo Suicide, his pulsing
hissing keyboards continue to challenge and inspire generations of
underground music fans. Countless artists have cited Suicide as
an influence including The Jesus and the Mary Chain, Joy Division, New
Order, Nick Cave, Radiohead, Spacemen 3, Ric Ocasek, R.E.M. and Bruce
Springsteen. Springsteen's "State Trooper" from his Nebraska album is
clearly influenced by Suicide. Springsteen also performed a solo
keyboard version of Suicide's "Dream Baby Dream" to end the concerts on
his 2005 "Devils and Dust" tour. Suicide's recordings are considered to
be some of the most influential alternative music recordings of
all-time. Suicide (1977), is particularly heralded, often regarded as a
classic. Suicide continues to play live throughout the world,
performing at among others, the South Street Seaport Festival in lower
Manhattan in August of 2007, the London Forum with Nick Cave on his
debut of his new group Grinderman, and Agnes B's fashion week 30th
anniversary celebration at the Olympia Theatre in Paris, featuring
groups including Sonic Youth and Patti Smith.
While remaining active in Suicide, Martin Rev is busy as a solo
producer and performer. Les Nymphes marks his seventh solo album,
released almost three decades since his self-titled debut salbum was
released in 1980. Les Nymphes follows Rev's debut on File Thirteen,
2004's very well received album To Live. Since the release of To
Live, Martin Rev has played solo dates in Europe including Athens and
Thessalanki in Greece, many cities in Italy, Helsinki and Tampere
Finland, Berlin, Geneva, festivals in Nantes (the Ideale) and Pau,
Paris, and Lille in France. In 2007, the Rev CD Cheyenne was re-issued
by Mind Expansion records that included three new tracks not on the
previous 1991 release. In May of 2008 Cheyenne and Strangeworld
were reissued digitally.
Describing Les Nymphes:
Dance and groove templates approached from an arranging perspective, as
well as a composing one, give way to a journey into Greek mythology
meets American Indian ("Sophie Eagle") and New Orleans meets Ulysses
and Circe ("Valley of the Butterfly"), as well as more urban landscapes
such as "Nyx." The result is an array of new colors and textures,
dance-like repetitive in places but more unusually so, and not as
often, reflecting the contemporary thought of the artist through the
additional prism of modern balletic dance as well theatrical sets and
dialogue, while drawing on the ancient Greek as a springboard to the
imagination.
And that is a key word regarding Les Nymphes: "imagination,"
translating the worlds of fantasy that inspired the work and the
dreamlike images that convey a desire to delve deeper into uncharted
frontiers; an impulsive desire that seems to drive one Rev work after
another. The titles in varied languages play, for the artist, a
further opening of possibilities creating an even more colorful palette
than usual from which to paint from. Les Nymphes was produced in New
York and Montreal - totally digital with live
instrumental performances.
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